And while you can load up your own legato mapping in a multi articulation patch, if you want a simpler interface, the legato patches load just the relevant vibrato types and the legato transition with a default mapping so youre ready to go right away.The Main Library uses 67 GB of content (compressed from 120 GB), Exp A uses 7 GB (compressed from 13.4 GB), Exp B 7 GB (compressed from 13.4 GB), Exp C uses 5.6 GB (compressed from 11 GB) and Exp D 14.7 GB (compressed from 30 GB).Thats just over 100 GB compressed and c.GB uncompressed.
All prices listed are from outside the EU, converted from Euros. The most current version of each library was used at the time of review: version 2.1 for the Main Library and Exp A-C with version 1.1 for the more recent Exp D. En aranjuez con tu amor partitura pdf converterAll volumes are worth reading about, and if youre new to the Berlin Series I suggest reading our earlier review of the interface as used in Berlin Strings, but here are the cliff notes of what you might be most interested in. If you primarily want the most expressive legato options and sweetest most lyrical sampling, read about Exp B and Exp C. If you want the most exotic sounds and unusual woodwind textures and articulations (as well as some bread and butter patches for a kicking bassoon ensemble) read about Exp D. The main library includes four mic positions: close, room (equivalent to decca tree), mix (a blend of the other positions) and noise (breaths, etc.). The noise layers are only included for the individual instrument patches, not the performer ones. By default the mix layer is loaded, but I recommend saving each patch to load the Room mic by default instead, so that it blends best with any newer libraries. On the other hand, Exp D is miked and labeled like the newer libraries (such as Berlin Strings), with close, AB, tree (equivalent to room) and surround mics loading the tree mic by default, as desired. Exp B and Exp C use close-miking in a booth in the hall with convolution reverb impulses to integrate with the other instruments. I suggest making a copy of your instruments folder (I name mine Instruments Original) and then perform a batch-resave in Kontakt. To do this, open Kontakt and click FileBatch Re-Save and select the Instruments folder. Kontakt will scan the folder, make a list of any samples it cant find, ask you where to find them (if it cant find them on its own) and then start re-saving the files. This is literally the first thing I do with any complex library I get and speeds up load times a lot. Or you can load patches individually, tweak them to taste and then save them with the absolute paths option checked. Remember, you dont ever need to save the samples, though just instrument files. Youll notice that the Main Library features two-to-three different performers (each with a unique instrument) for each of the main woodwinds, in addition to different instrument types and some dedicated ensemble patches. Well be looking at the Main Library and Exp A together because Exp A basically adds three instruments to the main library its organized in almost exactly the same way. The articulations are organized into three folders: single articulations, multi articulations and time machine patches. I primarily use the multi-articulations patches because I can access almost every articulation for an instrument in a single patch, organized and switched between as I choose with the option to add legato transitions to almost every patch. Having used Berlin Woodwinds version 1.x release (which I found very time consuming to while getting started), multi-articulation patches make the difference between loading say, sixteen patches and over one-hundred and sixty. Thats why the library is so much easier to use than it used to be even as it has preserved and expanded functionality. You get a lot of additional options for recorded multi-note performance in the single patch interface, like measured trills where you get locking to host tempo, auto-temp and the playback rate multiplier as a function of the tempo.
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